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mardi 20 décembre 2011

Le projet Patrick WHITE pour CERCLES


CALL FOR PAPERS: PATRICK WHITE’S CENTENARY

The year 2012 marks the centenary of the birth of Australia’s Nobel-prize winning author Patrick White who died just over twenty years ago. Since his death, White’s critical reputation has suffered somewhat, although there are signs now of renewed interest in his work. Cercles, the major French online journal for academic work in the field of Anglophone studies, will dedicate a special issue to Patrick White in 2012 in order to celebrate the centenary of the author.

Submissions for papers to be included in this issue are called for, especially, but not only, from non-Australia based scholars.

Papers can address any major aspect of White’s fiction including, for example, transnational perspectives, regional aspects, metaphysics, myth-making, recognition (including a discussion of the Patrick White award), aesthetics or representations of Indigenous Australians. Papers that address and theorise gender, sexuality and queer readings of White’s work are also welcome.

Proposals of book reviews on Patrick White scholarship are also solicited.

Please submit an abstract of up to 200 words simultaneously to both Editors (details provided below) as soon as possible. Full length essays will be expected by the end of March 2012. The Chicago Manual of Style is the guide for referencing.

Besides publishing several essays on contemporary Australian fiction, Jean-François Vernay is the Co-Editor of a special issue of Antipodes entitled Fear in Australian Literature and Film 23: 1. He is the author of three monographs: Water from the Moon: Illusion and Reality in the Works of Australian Novelist Christopher Koch (Cambria Press, 2007) and Panorama du roman australien des origines à nos jours (Paris: Hermann, 2009) translated as The Great Australian Novel– A Panorama (Brolga, 2010) and a forthcoming essay on fiction, literary theory and criticism that will be published in May 2012 by Editions Pascal. Blog: http://jean-francoisvernay.blogspot.com/ Contact: vernayj@yahoo.com

David Coad is a Lecturer at the University of Valenciennes, in France. After a doctorate on the religious metaphysics of Patrick White, obtained at the University of Paris III – Nouvelle Sorbonne, he published a collection of essays on Patrick White in 1997. Other publications include Gender Trouble Down Under: Australian Masculinities (Valenciennes: PUV, 2002) and The Metrosexual: Gender, Sexuality, and Sport (New York: SUNY, 2008). Contact:

Le projet Patrick White avance et en attendant je vous laisse


1) lire l’article de Anne Le Guellec-Minel publié dans la revue LISA consultable ici:

http://lisa.revues.org/1142

Voss, du roman de Patrick White au livret de David Malouf : simple adaptation ou transformation de l’imaginaire national ?

Voss, from Patrick White’ s novel to David Malouf’s libretto: a faithful adaptation or a betrayal of White’s imagining of the nation ?


Abstract

When a couple of years before Australia’s Bicentenary celebrations, David Malouf accepted the commission from Opera Australia, the Sydney Opera company, to adapt Patrick White’s novel Voss for the operatic stage, he was certainly aware that this meant participating in the Establishment’s efforts to promote a culturally exalted Australian identity on the European model. When the opera was premiered in 1986, the libretto was praised both by the critics and the public for its success in making use of the dramatic potential of the novel and, beyond that, in bringing out the musical possibilities of a style which had often been described as difficult and obscure. This article first undertakes to analyse a few aspects of Malouf’s generic rewriting of the source text, which suggest that insofar as the opera was designed as a monumental celebration to Australian achievement, the libretto does seem to betray, to a certain extent, the novel’s criticism of heroic posturing and complacent patriotism, and to collaborate in the institutional recuperation of what remains a controversial work. However, a closer study of the way in which Malouf writes his own homoerotic poetry into White’s narrative reveals that it subtly contributes to maintaining a truly “post-colonial” ambivalence within the apparent conventionality of the national celebration.


2) écouter l’entretien que j'ai accordé à Christophe Mallet pour SBS en suivant ce lien:

http://www.sbs.com.au/yourlanguage/french/highlight/page/id/202205/t/Jean-Francois-Vernay-The-Australian-Philosopher-Patrick-White#add

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