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samedi 24 juillet 2010

The Brisbane Writers Festival Program is out now!

Dear blog fans,

The Brisbane Writers Festival is out now in today's Weekend Australian edition (24-25/07/2010) .

Alternatively you can keep yourselves posted through the website :

http://www.bwf.org.au/

I am delighted to be part of what promises to be an extraordinary event.
Thanks you so much Jane and Jean-Jacques !

Kindest regards, JF

mardi 20 juillet 2010

Obituary: Vale Laurie Clancy 1942-2010

We have just been informed of the death last week of Melbourne fiction writer, academic and critic Laurie Clancy.

Clancy’s first novel was A Collapsible Man (1975), and it was followed by Perfect Love (1983); The Wildlife Reserve (1994)—an admirable attempt at an Australian campus comedy—and Night Parking (1999). He was also a regular contributor of short stories to Australian journals and papers. Many of these stories have been anthologised, and a number were collected as The Wife Specialist (1979); City to City (1989), and Loyalties (2007). Several of his works of fiction were awarded prizes, including a National Book Council Award for A Collapsible Man, and a Fellowship of Australian Writers ANA Literature Award for Perfect Love.

Clancy had a lengthy academic appointment at LaTrobe University (1967-1996) and later taught creative writing at RMIT. He developed a reputation as a critic, reviewer and enthusiastic supporter of Australian literature, and in particular of 20th century Australian fiction. His publications included monographs on Xavier Herbert and Christina Stead, and he also wrote an excellent introductory handbook, A Reader’s Guide to Australian Fiction (OUP: 1992)

A funeral service for Laurie Clancy will be held at Joyce Chapel, Fawkner Crematorium, Thursday July 22nd, at 12.45 pm.

ASAL news.

lundi 19 juillet 2010

Obituary: Vale Jessica Anderson 1916-2010

Dear All,

It is with sadness that we note that following the recent deaths of Peter Porter and Randolph Stow, last week saw the passing of another major contributor to Australian literature , Jessica Anderson. Anderson was part of the generation of women writers (including Amy Witting (b. 1918), Olga Masters (b. 1919) and Elizabeth Jolley (b. 1923)) who were slow to come to publishing fiction, but nonetheless produced important novels of a type that set them apart from the younger Australian women who also started publishing in the 1970s and 80s.

Anderson spent her childhood years in Brisbane before moving to Sydney in her late teens. Although working intermittently as a writer Anderson did not publish her first novel, An Ordinary Lunacy (1963), until she was in her late forties. This and her second novel, The Last Man’s Head (1970) were both crime or detective fiction. Anderson produced an historical novel with The Commandant (1975), before finding her true range with Tirra Lirra by the River (1978). In the character of Nora Porteaus the novel provides one of the most fully realised fictional accounts of an Australian life between the wars. Tirra Lirra by the River was highly awarded, including the Miles Franklin Prize. Later novels included The Impersonators (1980, and also awarded the Miles Franklin Prize), Taking Shelter (1989), and One of the Wattle Birds (1994).

Anderson’s best fiction will be remembered for its artful and succinct control of narrative and character, superior dialogue, and an acute rendition of social manners amongst the ambitious but uncertain middle classes.

Anderson was the subject of Elaine Barry’s Fabricating the Self: The Fictions of Jessica Anderson (UQP, 1992), and interviews with her can be found in Jennifer Ellison’s Rooms of Their Own (Penguin, 1986), and Candida Baker’s Yacker 2 (Picador, 1987).


ASAL news.


dimanche 18 juillet 2010

WIN TICKETS TO THE SERAPHIM TRIO!

WIN TICKETS TO THE SERAPHIM TRIO!

ABR is delighted to offer the first nine new subscribers, or givers of gift
subscriptions, to the magazine a free double pass (valued at $76) to the
Seraphim Trio’s Celebrating Schumann concerts; on the dates below.
This is the second concert in their 2010 series.

Melbourne: Saturday 31 July, 7 p.m., Melba Hall, Parkville
Adelaide: Sunday 1 August, 2.30 p.m., Elder Hall, Adelaide
Sydney: Sunday 8 August, 2.30 p.m., The Independent, North Sydney

In this second recital, the Seraphim Trio celebrates the two-hundredth
anniversary of Robert Schumann by locating his first piano trio in the rich
musical traditions of Haydn and Brahms. Here Haydn explores a rare minor
key, paving the way for the dark romantic imaginings of Schumann and Brahms.

More information on the performances is available here: www.seraphimtrio.com
http://www.seraphimtrio.com

Call us now on (03) 9429 6700, or email abr@australianbookreview.com.au to
subscribe and/or give a gift subscription, and claim your tickets!

ISFAR: how about getting a membership now?

ISFAR

Institute for the Study of French Australian Relations Inc

Website : www.isfar.org.au


Contact: isfar.explorations@gmail.com

Towards a better understanding of French-Australian relations

If you are interested in France and its relations with Australia, now is a good time to join ISFAR, which explores and illuminates French-Australian connections.

ISFAR is interested in all areas of French-Australian relations, current and historical, literary and scientific, political and technical.

We publish the journal Explorations twice yearly. Its refereed articles address significant and interesting historical and contemporary events and social and cultural experiences involving French-Australian interaction.

ISFAR is seeking new members and

Explorations seeks contributions on different aspects of French-Australian connections.

Please email the co-editors, Ivan Barko and Jana Verhoeven : -editors.explorations@gmail.com

We have also published proceedings of ISFAR seminars, including
A Changing France in a Changing World, French Worlds Pacific Worlds and Matchless Entertainment and Instruction: Contributions to a Portrait of French Studies in Australia.

Membership is open to all at an annual subscription of $30.
Members receive Explorations and notices of events organised by ISFAR and associated organisations.

Inquiries:-

Assoc. Prof. Stephen Alomes (President), Ph: 03 - 9372 1531, alomes@deakin.edu.au

Dr Dianne Reilly AM (Vice-President), Ph: 03 - 9646 2112, dmreilly@optusnet.com.au

Mr Tom Rado (Hon Treasurer), Ph: 03 - 9807 4072, trado@melbpc.org.au

lundi 12 juillet 2010

CALL FOR PAPERS : Popular Culture “Down Under”

Call for Papers

Popular Culture Association of America

San Antonio, Texas, USA

April 20 - April 23 2011

The Australia and New Zealand Popular Culture Area invites papers for the 2011 conference.

This is an exciting new area that supplements the Popular Culture Association of Australia and New Zealand (Popcaanz).

We seek papers which focus on popular culture “down under”. This encompasses a broad range of topics, not the least being: sports, graphic novels/comics, popular fiction/print cultures, popular science, media/journalism, movies/film/television, food/beverage, design/art, fashion, queer, indigenous, history, celebrity—in fact anything that has an Australasian bent.

Email abstracts (up to 200 words) or panel suggestions (title, presenters and brief description) by 1 December 2010 to

Dr Toni Johnson-Woods

English Media Studies and Art History

University of Queensland

Brisbane 4072

Phone: +61 + 7 336 53201

Email: t.johnsonwoods@uq.edu.au

dimanche 4 juillet 2010

Opinion: Freud in the Antipodes by Joy Damousi

Source: Jean-François VERNAY, “Joy Damousi, Freud in the Antipodes: A Cultural History of Psychoanalysis in Australia”, Journal of Humanities 31, Taiwan (juillet 2007), 313-19.

Joy Damousi, Freud in the Antipodes: A Cultural History of Psychoanalysis in Australia, UNSW Press, 2005, x-374 pp, pb $45.95. ISBN 0868408883.

Joy Damousi, a historian currently lecturing at the University of Melbourne, has shown a vested interest in psychoanalysis since her third and fourth books, The Labour of Loss: Mourning Memory and Wartime Bereavement in Australia (Cambridge, 1999) and Living With the Aftermath: Trauma, Nostalgia and Grief in Post-War Australia (Cambridge, 2001). This inclination for Freudianism was spelled out in the subsequent book she co-edited with Australian historian Robert Reynolds History on the Couch: Essays in History and Psychoanalysis (Melbourne University Press, 2003). In 2005 she brought her ongoing project to fruition by publishing Freud in the Antipodes: A Cultural History of Psychoanalysis in Australia, which had mixed reviews in Australia.

Currently working on a psychoanalytic book project, I had high expectations for this cultural history, hoping to find out why psychoanalysis has never really kicked off in Australia, however much interest was expressed initially. If bold readers dare to plod through Ernest Jones’s stilted but thorough account of Freud’s existence initially published in 1953, they will be rewarded with a passing mention of the situation in Australia following the launch of the Psychoanalytical Movement at the 1909 Salzburg Congress and its subsequent worldwide expansion. I have taken the liberty to quote the whole excerpt which Joy Damousi has chosen to encapsulate in a short sentence. (“The first reference to Freud in Australia is made in Ernest Jones’ biography of Freud.” Damousi, 27).

Things also were stirring as far off as Australia. In 1909 Freud reported having received a letter from Sydney telling him there was a little group eagerly studying his works. A Dr. Donald Fraser had established a little group and had lectured many times before the various societies on psychoanalysis. Before acquiring a medical qualification in 1909 he had been a Minister of the Presbyterian Church, but had had to resign his position on account of his “Freudian views” – the first instance, but far from being the last, of this kind of victimization. The spark died out, as mine in Canada was to, shortly afterward. Two years later, however, Dr. Andrew Davidson, the Secretary of the Section of Psychological Medicine and Neurology, invited Freud, Jung, and Havelock Ellis to read papers before the Australasian Medical Congress in 1911. They all sent papers which were read there. (Jones, 278).

With historical hindsight, one might feel these were the heydays of psychoanalysis in the Antipodes. Freud in the Antipodes somewhat confirms this intuition with Damousi’s giveaway: “There were no such trips to, nor fanfare in Australia. Throughout the twentieth century Freud would be received with an ambivalent response in the Antipodes.” (27) Interestingly, Christopher Koch’s vision of Australia as a world of “shadows” – of consumable products which are but the reification of a cultural ideal to which Australians were not given first-hand access and which they might someday discover – is backed up with Joy Damousi’s study. In this volume, psychoanalysis is essentially assessed in the light of Britain’s own cultural history to such an extent that John Springthorpe is surreptitiously presented as Freud’s Antipodean counterpart (11). “Shadows”, which represent a substitute for British civilisation exported in the form of cultural commodities, are also epitomized in this volume by numerous references to British publications like Joseph Schwartz’s Cassandra’s Daughters: A History of Psychoanalysis (Penguin, 1999), Rosalind Minsky’s (ed.) Psychoanalysis and Gender (Routledge, 1996) and Adam Phillips’ oft-cited works, for instance. Was Joy Damousi given the choice? Hobson’s, perhaps – given the paucity of Australia-based publications on psychoanalysis.

Lacanian studies being more popular than Freudian theories in the Antipodes, it comes as no surprise that the first major book-length study on the influence of psychoanalysis in Australia was Jennifer Rutherford’s The Gauche Intruder: Freud Lacan and the White Australian Fantasy. An earlier book, Freud 2000, aimed at re-assessing the relevance of Freud’s theories in contemporary society was published overseas. This collection of international contributions edited by Melbourne-based scholar Anthony Elliott was instrumental in determining how Freud’s system of thoughts impacted on the humanities and social sciences worldwide. However, Joy Damousi – out of ambivalence perhaps – has not acknowledged these two references, nor most original works by Freud, Lacan, Klein, and the like. As much as readers will appreciate Freud in the Antipodes for popularising Freudian views, they may wish to seek further information from reading Sigmund Freud’s or Jacques Marie Lacan’s prolific output.

As I suspected Damousi’s study would cover the arts – and we have remarkable pages on Freud’s impact on Australian painting as reflected in the works by James Gleeson, Joy Hester, or Albert Tucker – I had also expected to read about Xavier Pons’s monograph on Henry Lawson entitled Out of Eden (which launched in the 1980s the pathography trend in Australia that eventually fizzled out) or about David Tacey’s Patrick White: Fiction and the Unconscious, the other landmark psychobiographical study in Australian fiction. But literature was left out of the picture. Freud in the Antipodes may therefore be envisioned as a form of teasing for readers to look forward to perusing its forthcoming companion volume, should there be any.

While reading Freud in the Antipodes, not only was I under the impression that Damousi’s initial project began as a world history of Freudianism in the twentieth century, but I was also left in want of more specific details on its impact Down Under. Say, why would psychoanalysis fare better in Europe than in Australia? Admittedly, it sounds logical that a Eurocentric theory should receive publishing support in Europe ; but would readers not half-expect to find their fair share of psychoanalytically-informed books in Australia, a country long perceived as an offshoot of Europe? Why is it that each time a local or overseas scholar decides to produce a psychoanalytically-informed monograph on Australian writers, these critical works, at best, deserve a passing mention, or, at worst, rank first on an implicit blacklist? It is precisely to redress this imbalance that I have chosen to dwell at length on and engage so strongly with Freud in the Antipodes .

In his book review of Double-Wolf, David Tacey, a Jungian critic, has analysed how Australia fits in this “long and established tradition of Freud-knocking and psychoanalysis-bashing” (Tacey, 11):

Firstly, Australian consciousness is suspicious of theory per se. Our own Australian pragmatism, backed by British positivism and rationalism, makes us culturally unappreciative of any kind of theory, whether Freudian or otherwise. Secondly because relatively few Australians actually read Freud we are all susceptible to crude summaries and vulgar simplifications of Freudian theory. [...] In “rejecting” Freud, many people are merely rejecting popular clichés and prejudices which have arisen from gossip and misinformation over several decades. (Tacey, 12)

Michael Dudley’s argument runs along the same lines : “Australian distrust of psychiatry may be linked with our frontier culture, and our cultural myths about self-sufficiency and masculine prowess, our suspicion of intellectualism and ‘things mental’, and our aversion to authority and ‘tall poppies’.” (Dudley, 85). Damousi’s claim at the outset of her book complements these voiced opinions: “Australia is often constructed as a land of pleasure and opportunity: symbolised by the ‘beach’ – synonymous with unreflective hedonism – and populated by Australian males who value independence and individualism, negate emotion and self-expression and have no care other than for immediate, material concerns.” (2).

Joy Damousi’s massive study, which I found being tantalizing food for thought, has certainly whetted my appetite. Yet, I have also felt that there was something missing, like delineating a major distinction between psychology, psychoanalysis, psychotherapy and psychiatry. Damousi’s assimilation of different trends typifies the strange twist psychoanalysis has taken in Australia. Too often readers are given the feeling that all terms are synonymous, the author switching with ease from one concept to the next. The Macquarie Dictionary defines psychology as “the science of mind, or of mental states and processes; the science of human nature” ; psychiatry as “the practice or the science of treating mental diseases” ; psychoanalysis as “a systematic structure of theories concerning the relation of conscious and unconscious psychological processes” ; and psychotherapy as “the science or art curing psychological abnormalities and disorders by psychological techniques”. A confirmation of this will to federate conflicting ideologies is given in the last pages of Freud in the Antipodes when Damousi reveals:

In more recent years, there have been efforts to draw together analysts as well as psychotherapists and counsellors into a unified body around common interests and concerns. PACFA – the Psychotherapy and Counselling Federation of Australia – was established to ‘provide an umbrella group for the whole counselling and psychotherapy profession’ in order to break down some of the tensions and differences between the various groups. (328).

Having second thoughts about this review, I believe after all that Damousi’s achievement has matched her intent: throughout her account, she has proved – more often than once – that Freudianism has had little impact in Australia, leaving people confused about definitions and being relegated to a simmering offshoot of bubbling activities which were taking place at the core of European cities. In the Antipodes, Freudian theories were only of concern to a cluster of aficionados based in Melbourne, Sydney and Adelaide. Like the Melbourne Institute of Psychoanalysis, psychoanalysis was confined to the happy few. Like the Melbourne Institute of Psychoanalysis, to poach Douglas Kirsner’s words, it was “very much a closed shop with solid protective walls that effectively insulated its members from the outside world” (312). Fortunately, Joy Damousi and UNSW Press have contributed to pulling down these ramparts to popularise psychoanalysis to students, scholars and the general reader in Australia. Unfortunately, typos – which UNSW Press could have weeded out with a more careful proofreading of the manuscript – mar the text and Karl Abraham’s name (to which an s is attached, 320 & 369). Beyond these mere quibbles, I wish to pay tribute to Damousi’s book for going down in history. In her own words, “this is the first time a cultural history of psychoanalysis in Australia has been written in its own right.” (2). The fact itself should be a source of inspiration for more books on the subject matter.

Dudley, Michael. “Apologia Pro Vita Nostra: Critics and Psychiatrist,” in Harry Heseltine (ed.) Literature and Psychiatry: Bridging the Divide (Canberra: ADFA, 1992): 67-98.

Elliott, Anthony (ed.). Freud 2000. (New-York: Routledge, 1999).

Ernest Jones, The Life and Work of Sigmund Freud. (London: The Hogarth Press, 1963).

Pons, Xavier. Out of Eden. Henry Lawson’s Life and Works – A Psychoanalytic View Out of Eden. (Sydney: Angus & Robertson, 1984).

Rutherford, Jennifer. The Gauche Intruder: Freud Lacan and the White Australian Fantasy. (Melbourne: Melbourne University Press, 2000).

Tacey, David. Patrick White: Fiction and the Unconscious. (Melbourne: OUP, 1988).

Tacey, David. “Freud, Fiction and the Australian Mind,” Island 49 (Summer 1991): 8-13.